Grumpy duck, Chowmahalla Palace.
Grumpy duck seeking cover under a fountain, Chowmahalla Palace.

No matter how much I love the city or how hard I try to capture its flavours in one single post, Hyderabad is flat-out refusing to be captured by my words. So, here it is, another itty-bitty snippet on the home of the Nizams.

One of the inner palaces at the Chowmahalla Palace. This one had all the weaponry.
One of the inner palaces at the Chowmahalla Palace. This one had all the weaponry.

Chowmahalla Palace – middle name, Grandeur
An unexpected delight and an architectural jewel of the history of Hyderabad, Chowmahalla Palace is tucked away in the most unassuming corner of the back roads leading away (or to, depending on how you see it) from Charminar. Despite having spent every summer of my growing-up years holidaying in Hyderabad, I heard of Chowmahalla Palace for the first time a couple of months ago. And of course, because I hadn’t heard of it before, I was itching to go.

The ceiling of the main durbar area.
The elaborate ceiling of the main Durbar area.

The place didn’t disappoint. Chowmahalla Palace is like the Inception of palaces – four palaces within a palace. Each more beautifully crafted than the other, with intricate ceilings heavy with spectacular chandeliers stretching towards the ground. And like that isn’t breathtaking enough, every palace is a museum bursting with relics of the Nizam’s reign – photographs that have been framed with great care, an opulent grandfather clock from a neighbouring king, cutlery and chinaware, furniture, clothes, weapons and the most well-maintained vintage cars I have seen in a while.

The Durbar - made of solid marble and flanked on the sides and from the ceiling by crystal chandeliers.
The Durbar – made of solid marble and flanked on the sides and from the ceiling by crystal chandeliers.

The best part about visiting the Chowmahalla is that even on the busiest days, it isn’t bustling with hordes of people. It’s like a well-kept secret among locals, a slice of the past that the tourists haven’t been able to get their hands on, making the pleasure of experiencing the palace more than a tick mark on a checklist of must-see places in a city.

Most of the Chinaware housed in Chowmahalla consists of elaborate pieces that were gifts from neighbouring countries whose kings visited the Nizam. This one was especially pretty because it had an ornate butterfly in the place of a handle.
Most of the Chinaware housed in Chowmahalla consists of elaborate pieces that were gifts from neighbouring countries whose kings visited the Nizam. This one was especially pretty because it had an ornate butterfly in the place of a handle.

Another place, of course, is the Qutub Shahi tombs. Less popular with the tourists and a better-known retreat for the locals, it hasn’t changed one bit since my teenage years spent exploring the tombs and climbing stairways that were blocked by lush bramble.

One of the many tombs at Qutub Shahi Park. One can still see hints of the enamel work in the facade near the dome. When I was a kid, I used to collect the chunks of fallen Enamel pieces, almost as if it were a part of history that I could call mine.
One of the many tombs at Qutub Shahi Park. One can still see hints of the colourful Enamel work on the facade. When I was a kid, I used to collect the chunks of fallen Enamel pieces, almost as if it were a part of history that I could call mine.

Qutub Shahi tombs – where there’s beauty in death
The only thing that doesn’t make the approach to the Qutub Shahi tombs nondescript is the tourist shuttles standing outside the gates of the tomb park. Once you walk through the gates, though, it’s an entirely different story. Tombs of varying shapes and sizes dominate the area, reflecting the Persian, Pashtun and Hindu forms of architecture that they are based on. The kings of the Qutub Shah dynasty – including next-of-kin and important commanders – are buried here. The tomb of Mohammed Quli Qutub Shah offers a pretty decent view of the Golconda Fort, located about a kilometre or so away from the tombs.

Mughal architecture is incomplete without symmetrical archways. So is my set of photographs! There's something almost poetic in framing a picture with arches and having someone walk through it.
Mughal architecture is incomplete without symmetrical archways, and so is my set of photographs! There’s something almost poetic in framing a picture with arches and capturing someone walk through it.

Every tomb has a story behind it, not just about the person/people buried under it, but also the architecture itself. The bigger the king, the grander the structure and the inscriptions on the walls. Excavation of the Badi Bowli – the Big Well – was underway when I went there. From what I could see behind the sealed-off area, it resembled the step wells of Gujarat. It should be open to visitors soon enough.

The grave on ground-level is just an indicative structure built on top of the actual sarcophagus. Although not considered holy, there are still those who pay the graves a visit and seek blessings.
The grave on ground-level is just an indicative structure built on top of the actual sarcophagus. Although not considered holy, there are still those who pay the graves a visit and seek blessings.

As with all places of death, Qutub Shahi tombs is quiet, serene and somehow, more beautiful. There are the occasional light and sound shows that are held on premise, but otherwise the place shuts down after dusk – and for good reason too. Imagine moving around the place in darkness, with at least two dozen dead bodies that are at least four centuries old for company!

A smaller tomb on the Qutub Shahi Park premises, and also one constructed away from the main tombs. It could mean that the person buried here was of lesser stature than the king and his kins. Still, the craftsmanship is fairly elaborate.
A smaller tomb on the Qutub Shahi Park premises, and also one constructed away from the main tombs. It could mean that the person buried here was of lesser stature than the king and his kins. Still, the craftsmanship is fairly elaborate.

Since the better part of the day was spent roaming the Chowmahalla Palace, I couldn’t spend as much time at the tombs as I wanted to. I did leave with an imprint of a gorgeous sunset on my mind – and my camera – though.

Maybe the next post I write about the elusive city of Hyderabad, I’ll be able to add more to my exploration of it and of the other places that are waiting to be rediscovered.

A glorious sunset against the tombs made the short visit totally worth the while.
A glorious sunset against the tombs made the short visit totally worth the while.

Getting there: Hyderabad is easily accessible by road, air and train. I would strongly recommend driving down because the route is picturesque and the roads, beautiful.

Go if: You love food, history, architecture, attention to detail and a little bling.

P.S: Yes, yes, I’m fully aware that Potli Baba was off the radar for a good two months (or more). We are back now, though, and hopefully will be more regular in posting here! Meanwhile, thank you to everyone who hung around, waited patiently for posts to appear and even reminded me to get back. Sending much love and gratefulness your way.

12 thoughts on “A day at Chowmahalla Palace and Qutub Shahi tombs, Hyderabad.

  1. Great post! Very beautifully written and (as usual) some brilliant pictures!!

    Was just wondering back in the day how they must have lit up all those gorgeous chandeliers with oil lamps!! Must be some exercise! But clearly an idyllic place to visit and for some weird reason off the tourist roadmap..!

    Looking forward to more destinations from the Potli Baba!!

  2. Beautiful pics! :)

    I am yet to explore the city of Hyderabad fully, though I have seen most of the major tourist spots as a child. My mama used to live there – in Secunderabad, actually – and my cousins and I used to vacation there in the summers.

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